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He usually uses ink blocks to grind it out, and the ink is ground thicker, as can be seen from his dipping in ink to adjust the ink. There are two ways to use ink; One way is to make a large painting, first immerse it in water, let it dry, put the pen tip into the ink pool to absorb ink, and then fill it with paper; There are two types of writing: small strokes for writing and outlining. The writing brush does not absorb water, but instead bites open the tip of the pen and moistens the saliva, dipping it in ink to write and outline the entire stroke. Occasionally, the tip of the pen can be used to add vitality to the lines. The colors used by Mr. Da Qian are mostly mineral pigments, which are expensive, and some even make them themselves at any cost. The paint is carefully ground and blended. Using paper, Mr. Da Qian used a lot of paper for splashing ink and colors, which had already been mounted on the back. Most of the paper was cooked, while the majority were hemp paper. He also researches paper making himself. Before painting, paper is often fixed on the drawing board. At this point, the preparation work is completed. Drawing steps. Mr. Da Qian painted with rational paper, using water, applying ink, examining, tidying up, coloring, and other processes. Paper sorting. Mr. Da Qian's works are perfect, reflected in every detail. He uses a dry bristled brush to clean the paper surface, touches and removes impurities from the paper surface with his hands, and cultivates a clean paper surface to cultivate his mood. Use water. Mr. Da Qian is proficient in ink and wash when painting. He has a unique technique of using water. Before splashing ink and colors, he uses a clean large amount of water to wet the paper according to the needs of the painting in his chest. Wet paper is beneficial for the ink color to expand. A plate of ink sprinkled. Using a plate, pour a large amount of ink onto it, and then ask the student or junior to shake one end of the wooden board at will until the ink flows and seeps to his satisfaction. Observe and outline. No matter how good the ink is, there is also chance. Mr. Zhang often places his paintings in the distance, observes the picture from different angles, approves partial outlines, and describes them in detail, achieving artistic processing and meticulous management, so that the picture presents various wonderful scenery such as distant mountains, near water, cliffs, solitary sails, and mountain temples. Coloring according to class. Mr. Daqian uses soft hair to add color, and first uses ochre or grass green as a base. Before splashing stone green, wet the splashing area first, then drip a large amount of stone green, and use various techniques to drain the color of the picture, making it naturally flow and halo, or slightly modify it with a brush. Sprinkle stone green on the top of the stone green again, taking into account the mutual relationship with the stone green and ink color. After the stone blue dries, the flower blue is splashed onto the upper edge of the screen to increase the level change of the day surface. Use slightly thicker anthocyanin and cinnabar to dot the moss, using color dots to break the monotonous texture of the color surface, and small trees to dot the vermilion color. Closing. Mr. Da Qian's ink splashing and color splashing landscape painting is very laborious and time-consuming. It takes only ten days and a half a month for a painting to be completed ten times or eight times. The final inscription and use of seals are also very particular. Mr. Da Qian's works often combine poetry, calligraphy, painting, and printing, seemingly elegant but actually painstakingly crafted. Mr. Xu Beihong's statement that "a thousand have come in five hundred years" is not false. Mr. Zhang Daqian's splashing ink and color landscape painting is epoch-making and also historical. Studying his splashing of ink and colors cannot simply discuss his painting techniques, but also his achievements beyond painting, such as calligraphy, poetry, Western study tours, and so on. Only by studying hard and practicing diligently can one glimpse into his profound art