Habsburg 2023 Qatar Auction | Qatar Royal Collection: Memorable Treasures, Brilliant Eyes

 Company Information     |      Habsburg International Auction    |    2023-11-25 11:52
The final auction of Habsburg in 2023 will be held in Doha, Qatar on December 16, 2023. The upcoming grand auction will contain rare treasures, exquisite antiques, and once-in-a-century art pieces. Auctions of various collectibles will take you through time and space, experience the charm of history, and awaken the excited call in the hearts of collectors. Please stay tuned!
 
How wealthy is the Thar royal family that catches the world's attention
 
Speaking of Qatar, the 2022 World Cup has really made Qatar a little popular. For Middle Eastern countries, it is not easy to choose to host the World Cup in the desert, and Qatar's massive investment of over 200 billion US dollars has made countless people sigh: poverty has limited my imagination.
 
Through the World Cup, people not only began to understand Qatar as a country, but also gradually caught the eye of the Qatari royal family. As one of the wealthiest and most wealthy royal families in the world, the Qatari royal family has been remarkable, setting a record for the world's most expensive art transactions twice in a row.
 
 
C é zanne's The Card Player
 
In 2011, the Qatari royal family spent $250 million (approximately 1.6 billion RMB) to purchase C é zanne's "The Card Player", which made Qatar famous and made this painting the most expensive artwork in history.
 
 
When Will You Get Married by Gao Geng
 
In May 2015, they spent another $300 million to buy Gauguin's "When Are You Getting Married", breaking their previous record and creating the most expensive artwork in the history of the new generation at that time. In addition, the Qatari royal family also houses famous paintings such as Picasso's "The Child Holding a Dove" and Andy Warhol's "The Man in Her Life". WeChat: HBSB1826
 
In addition to paintings, the Qatari royal family also enjoys collecting artworks such as jewelry, cars, and sculpture porcelain.
 
It turns out that he is the hidden gem of the Qatari royal family!
 
Al Thani, whose full name is His Royal Highness Sheikh Hamad bin Abdullah Al Thani, is a prominent member of the Qatari royal family. In addition, he is also an outstanding collector. Relying on his extraordinary taste, strong strength, and persistent collection spirit, His Highness Al Thani has a large collection of various artistic treasures, which has gradually helped him build his own collection kingdom. He also established the Al Thani Collection Foundation, which is a non-profit organization with the mission of promoting cultural and artistic undertakings, with his collections as the main body.
 
Al Thani once held a "Memorable Treasures - Qatar Al Thani Collection Exhibition" at the Palace Museum, showcasing over 270 jewelry masterpieces and over 280 rare treasures from the current King Al Thani's collection in Qatar.
 
This collector not only has a large amount of jewelry related to India, but also has a collection of European royal jewelry. Today, let's take a look at the "luxury jewelry" collection of the Qatari royal family!
 
 
Tiger Eye Scarf Accessories
Cartier London, 1937
Platinum diamond
H: 12.7cm W: 6cm
Tiger Eye Diamond D: 2.6cm T: 1.7cm WT: 61.5ct
 
This magnificent headscarf accessory can be regarded as a model of creative communication between Indian princes and European jewelers in the early 20th century. The headscarf accessories were made in 1937 and were designed for Prince Divashingi of Navarre, using a special 61.5-carat gold diamond purchased from Cartier a few years ago by the former Prince of Navarre, Rajit Singhi. This impressive headband accessory is designed for multiple purposes: the upper part of the accessory can be removed, turning it into a brooch.
 
 
Bertiara Ruby Short Necklace
Made in Cartier
Ruby, diamond, pearl, platinum
H: 2.2cm W: 33.3cm
 
This short necklace is not complete, it is only the topmost part of a three-layer structure necklace. In terms of production techniques, this necklace uses rubies and combines them with pearls and diamonds, which is not typical in Indian jewelry. It should be noted that in typical Indian jewelry, gemstones of different colors are usually arranged in a juxtaposition method.
 
 
Hyderabad Nizam Necklace
India 1850-1875
Gold Diamond Emerald Enamel
H: 26cm W: 19.6cm
 
This piece can be regarded as a masterpiece of Indian royal jewelry, aimed at showcasing the power and wealth of the participants in the court and court meetings. These 8 modified large diamonds are cut using bright cutting techniques, each weighing approximately 10 to 15 carats, representing the progress made in Indian gemstone carving techniques.
 
 
Navanagall Ruby Necklace
Platinum, Ruby, Diamond
H: 19.5cm W: 20.5cm
 
The Navanagarh Ruby Necklace is the pinnacle of 20th century jewelry, designed by Prince Divashingi of Navanagarh and commissioned Cartier in 1937. It uses Burmese rubies and diamonds to showcase the beauty of symmetry, luxury yet not vulgarity, and exudes classical elegance everywhere.
 
 
Catherine the Great's emerald brooch
Around 1750 and later
Emerald, diamond, silver, gold
H: 4.5cm W: 4.5cm
 
The magnificent hexagonal outline and exquisitely cut 60 carat emerald complement each other, and the intricately crafted rose shaped diamonds inside reflect the grandeur and splendor of Catherine the Great's court in various details.
 
 
Headband accessories
India around 1900 AD
Clip: Cartier Paris 2012
Gold, silver, emerald, diamond, pearl
H: 11.7cm W: 12.8cm
 
The emerald in the headscarf accessories is set within a diamond frame with a multi sided bright cut, reflecting both the European jewelry design style of this period and the increasing influence of the West. The gemstones used in the accessories are neither lined with foil nor confined by the typical Indian closed inlay technique. This decoration has a dual function: it can also be used as an arm decoration when removing feather decorations.
 
 
The Agra Diamond
Thick Pink Clarity VVS1
H: 1.87cm W: 1.7cm T: 1cm WT: 28.15ct
 
This pink diamond is the legendary fifth largest pink diamond in the world. Although the origin and history of this diamond cannot be fully confirmed, it is believed to have been obtained by the first Mughal king, Babur the Great, when he captured Agra in 1526 and was later smuggled into England in 1857.
 
 
Feather decoration
Platinum, emerald, sapphire, diamond, pearl
H: 9cm W: 5.8cm WT: 1.5ct
 
The uniqueness of this jewelry is that it presents Indian carved patterns on top of the emerald. The Cartier brothers later owned this jewelry, which also provided inspiration for their own creations. This work was produced by Robert Linzeler and designed by Paul Iribu, a cultural leader in early 20th century Paris. He gave this feather decoration to his wife, actress Jenny Dress. The combination of blue and green was seen as a radical innovation in the European jewelry industry at that time.
 
 
Vase - Faberger
St. Petersburg, Russia 1899-1903
Gold enamel, soft jade, diamond, ruby
H: 25.5cm W: 13cm T: 11.2cm
 
This extraordinary vase is cut from large pieces of soft jade, with a gold base inlaid with gemstones and decorated with enamel glaze. Its shape represents a lotus flower that is about to bloom, presenting a natural cone-shaped bud with overlapping petals. The inlaid gemstone enamel gold throne presents a Renaissance aesthetic style.
 
 
Matilda Bonaparte Rose brooch
Paris, France 1864
Diamond, silver, gold
H: 14.6cm W: 11.4cm T: 5.1cm
 
The rose brooch was made by 19th-century Parisian jewelers for Princess Matilda, who was a cousin and close friend of Napoleon III. For a period of time, Princess Matilda's status was second only to Empress Eugenie.
 
The jewelry mentioned above may only be a small part of Al Thani's collection, but each one is wonderful and has a stunning beauty. This is probably the charm of jewelry, no matter how many years it has traveled, it can still be incredibly heart stopping.
 
The Thar royal family has placed great emphasis on the value of art in recent years. They not only spend a lot of money on art, but also build large-scale museums to place these artworks. Among them, the annual budget for the purchase of art by Princess Mayasha in the royal family alone is as high as 1 billion US dollars (approximately 6.54 billion yuan of people). Their goal is to make Qatar a true "art empire" and multicultural center.
 
Whether it's Qatar or domestic and foreign billionaires, they all love collecting. For billionaires, art collection not only brings rich profits, but also spiritual enjoyment and material rewards.
 
Recommended exquisite items for the Qatar Auction:
·Porcelain
 
 
Lot 1002 Qing Jiaqing Pink Yellow Ground Entangled Branch Pattern Candlestick
Specification: H: 44cm
Starting price: 8360000 QAR
 
Collection Description: The glaze color and decoration of the objects are basically the same, all with yellow glaze as the ground. The main decoration is a pink and tangled branch of passion flower with eight treasure patterns, with a dense composition and brilliant colors.

 
 
Lot 1007 Qing Yongzheng Imperial Made Crimson Enamel Colored Pearl by Pearl Cloud Dragon Pattern Jade Pot Spring Bottle
Specification: D: 40.2cm H: 6.9cm
Starting price: 14000000 QAR
 
Collection description: Enamel colored bottle, belonging to the highest level of imperial porcelain in the Qing Dynasty, is a testament to the exquisite craftsmanship of enamel in the palace. The style of the jade teapot and spring bottle is adopted, with fibers on the top and plump on the bottom, pleasing and elegant to the eye. Using white porcelain as paper and colored materials as ink, painting double dragons with meticulous brushstrokes, round eyes shining brightly, five claws stretched out, fine scales draped over the body, hair fluttering, chasing fire beads and soaring proudly in the clouds. At the shoulder of the bottleneck device, banana leaves, Ganoderma lucidum, and Ruyi cloud heads are added as decorations, echoing the lotus petals under the abdomen and the rolling grass on the foot wall, elegant and orderly. Rouge red color, with a strong and delicate color, complements the four character regular script of the blue material on the bottom of the vessel, without the name of a load-bearing vessel.

 
 
Lot 1009 Qing Qianlong Pink Nine Peach Heavenly Ball Bottle
Specification: H: 51cm
Starting price: 28000000 QAR
 
Collection Description: The Qianlong Pink Nine Peach Heavenly Ball Bottle is an early work of Qianlong. Its painting, color, and style are different from the works of Qianlong's heyday, while also having many similarities with the works of Yongzheng period. In this exhibition, we also borrowed a rare Eight Peach Heavenly Ball bottle from the Yongzheng period for the audience to compare and appreciate.


 
Lot 1021 Yuan Dynasty Blue and White Qiu Chuji Meets Genghis Khan's Character Story Plum Vase
Specification: H: 44.2cm D: 5.5cm B: 13cm
Starting price: 60000000 QAR
 
Collection Description: The blue and white Qiu Chuji saw the story of Genghis Khan in a plum vase, with the abdominal theme decorated with Qiu Chuji's story of Genghis Khan. The auxiliary decorations include miscellaneous treasures, tangled branch lotus, and lotus petal patterns. Although there are multiple levels of decoration, the main and secondary are clear, complex but not chaotic, and integrated. The allusion of decorative patterns originated from Qiu Chuji's successive refusal of political invitations from rulers of the Jin Dynasty and Southern Song Dynasty. However, at the age of 74, he accepted the invitation of Genghis Khan and trekked tens of thousands of miles, heading west to the snowy mountains (now within Afghanistan) to camp and meet the Mongol Khan. The status and political influence of this exercise of Qiu Chuji have been greatly enhanced. In the military camp of Genghis Khan's Western Expedition, Qiu Chuji spent several months with him day and night, repeatedly discussing with him and promoting the ideas of "eliminating violence and killing" and "benefiting the world and the people", enabling the general public to live and work in peace and contentment, which had a certain impact on Genghis Khan's thinking. In today's world, there are very few surviving Yuan blue and white porcelain, and Yuan blue and white porcelain with historical stories as decorative themes is difficult to draw and burn, making it invaluable.

 
 
Lot 1173 Ming Jiajing Colorful Hundred Dragon Pattern Cap Jar
Specification: 44.5 × 30cm
Starting price: 6770000 QAR
 
 
Lot 1246 Qing Yongzheng Pink Turquoise Green Eighteen Bachelor's Plum Blossom Vase
Specification: H: 31.5cm D: 19cm
Starting price: 14000000 QAR
 
·Calligraphy and painting

  
Lot 2005 Pan Tianshou's "Farming Map Axis"
Specification: 68 × 136cm
Starting price: 32000000 QAR

 
 
Lot 2008: Xu Beihong's "The Painting of Ancient Cypress with Two Steeds"
Specification: 128.5 × 76.3cm
Starting price: 49000000 QAR
 
Collection Description: The composition of this painting is no longer the main focus, and the two tall ancient cypresses are even more eye-catching. The ancient cypress occupies the center of the picture, with its trunk winding and sturdy, as if it has been in the annual rings for hundreds of years. The branches and leaves are covered in profusion, yearning to stretch out; Cypress trees are widely distributed in China, ranging from Inner Mongolia and Jilin in the north to Guangdong and Guangxi in the south. The cypress tree is an evergreen tree that is green all year round, especially in winter. It has become a representative of fighting against cold and snow, fearless of wind and frost, and firm and upright, known as the longest tree.
Under the ancient cypress, two horses bent down to search for food, exuding a graceful and tranquil demeanor, exuding a sense of transcendence. As Xu Zhongnian said, Xu Beihong, like him, immediately avoids vulgarity and represents the soul of Beihong the most. Xu Beihong's borrowing of horses to express emotions and emotions, these two horses are outlined with lines, but they do not lose all solid contours. They are only roughly outlined at the back, belly, legs, and neck of the horse, with a focus on volume and block shape; The mane and tail of the horse are painted with calligraphy to enhance the ethereal and dynamic spirit; The swaying grass has no hooves, adding a touch of humor to the scene. In areas related to the structure of the horse, such as its outline, mouth, nose, and joints, there is no urgency at all. The use of a pen coincides with the shape, and although a wet pen is also used, it does not affect the accurate shaping of the structure and shape. On the one hand, it is highly similar in shape, and on the other hand, it is characterized by vigorous and powerful brushstrokes, creating a horse drawing program that can refine and proficiently shape images and express emotions with brushstrokes.

 
 
Lot 2040 Zhang Daqian's "Autumn River Wild Duck Painting"
Specification: 64 × 29cm
Starting price: 11000000 QAR

 
 
Lot 2137 Fu Baoshi's "Beautiful Scenery"
Specification: 108.5 × 60cm
Starting price: 18900000 QAR
 
Collection Description: [Qin Yulan] Qin Yulan wears a flying bun and a green and white dress, swaying like an inverted morning glory flower. She folds her sleeves and looks back sideways, graceful and charming; There was a maid carrying a lamp and walking forward, dressed in a blue dress and red clothes, also beautiful and charming. Several tables and a corner in front were adorned with potted flowers, seemingly suggesting that Tao Gu was on the other end of the painting. [Ladies] Ladies first use a dry brush to shape their sideburns, with a slight movement in and out. When starting the brush, gently press down to create a graceful and smooth movement. When finishing, gently lift up to ensure accuracy. Then, use light ink to dry and dye the hair. The color of the hair changes through the intensity of the ink, giving it a richer and more elastic appearance. For example, in the eyes, he first used light ink to outline the upper and lower eyelids, distinguishing between light and heavy, and then outlined the contours of the eyes, paying special attention to the turning changes of the pupils. He used a dry light ink pen to outline the eyeballs, and rendered them several times with light ink. In the hazy atmosphere, he emphasized the pupil part with scattered sharp and thick ink, while the upper eyelids emphasized the contour with deeper ink, presenting a strong sense of three dimensionality. Coupled with thick eyelashes, the virtual and real complement each other, with clear layers, fully conveying the exquisite and translucent effect A reserved and profound expression.
The character images in Fu Baoshi's works are ancient, but they have a new era atmosphere. They can not only uphold traditional laws and continue to operate creative concepts and techniques on the track of the ancients, but also help the public understand the personalities of historical figures, moving viewers with their ancient beauty and vitality.
 
 
Lot 2185 Li Keran's "Four Seasons Cowherd"
Specification: 69 × 45cm × four
Starting price: 10500000 QAR
 
Collection description: Li Keran grazes cows all year round, and cows are the subject that Li Keran is fond of. Painters generally do not use too much brush and ink to depict cows and shepherd children, but because they accurately grasp the characteristics of the objects, outline them, and use less to win more, they fully utilize the charm of brush and ink while expressing images. Although the visuals are not complicated, the painter's techniques are still brilliantly displayed, and behind the effortless lifting, there is the painter's meticulous and meticulous skills. In Li Keran's works, there are countless herdsmen and shepherds. He likes the strength of cows, but most of his herdsmen are slow, gentle, and cute; The shepherd boy leisurely lies on the back of the cow, or plays around the cow, playing the flute. The scene often creates a fresh and peaceful atmosphere, just like the simple and natural rural life, which is fascinating. Master Li Keran's "The Four Seasons Screen of Herding Cattle" is a collection specially collected by collectors over the years. It can be combined into a four screen collection, which requires unique vision, strong strength, and a bit of luck. One is indispensable, and similar four screens are rare in today's market circulation. Spring, summer, autumn. In the winter scenery, only the shepherd boy and the ox remain unchanged subjects and echo the changing scenery of the four seasons, embodying the master's understanding of life and deeply embodying the meaning of antiquity. Therefore, it can be inferred that this painting was created by Li Keran when he reached the peak of his artistic career in his later years, which is quite meaningful! WeChat: HBSB1826
 
·Jade ware
 
 
Lot 3005 Myanmar Natural Unburned Pigeon Blood Red Faced Ruby
Specification: WT: 16.575ct
Starting price: 44380000 QAR
 
Collection Description: Ruby is known as "Ratnaraj" in Old Sanskrit, meaning the king of gemstones. With factors such as mineral depletion and war, it has become increasingly scarce in recent years. Its scarcity allows it to stand forever at the tip of the pyramid in the gemstone circle. Myanmar is the oldest producer of rubies and is renowned for producing top-notch "pigeon blood red", but it began to decline as early as the 15th century. High quality rubies with large carats are becoming increasingly scarce, and production has been extremely low due to war. As the saying goes, what cannot be obtained is always the best. Perhaps this scarcity has caused the market's desire for it, ensuring its investment space. Burmese rubies are becoming increasingly rare, and many buyers can only sigh, especially the top-grade "Pigeon Blood Red", which may now be able to catch a glimpse at auctions. Therefore, collectors who love rubies must have other choices.
 
 
Lot 3007 High Ice Green Jade Bracelet
Specification: D: 5.9cm WT: 100g
Starting price: 1290000 QAR
 
 
Lot 3012 Qing Dynasty Ice Violet Bracelet
Specification: Outer diameter: 85.5mm Inner diameter: 59.8mm WT: 88g
Starting price: 940000 QAR
 
Collection Description: Violet is a highly stimulating and visually impactful color that typically represents nobility and elegance. After careful processing, the violet jade bracelet, due to the rarity of jade, is more of an elegant symbol and can display a noble style. Dragon stone jade round bracelet; Purple energy comes from the east, full of luxury; The purple color is uniform, rich, and full, with round and round stripes; No obvious mineral defects; Made purely by hand polishing; Make it more rare and valuable for collection!

 
 
Lot 3034 Inlaid with Full Diamond Emperor Green
Specification: L: 8cm W: 5cm WT: 60g
Starting price: 4400000 QAR
 
 
Lot 3066 Jade Bracelet
Specification: WT: 45.965g 55.62mm × 70.17mm × 7.13mm
Starting price: 340000 QAR
 
·Coins
 
 
Lot 4004 Xu Shichang Statue Renshou Tongdeng Commemorative Coin Gold Sample Coin
Specification: D: 3.9cm WT: 37g
Starting price: 4300000 QAR
 
 
Lot 4007 Fuzuo Long Spending Gold Coins
Specification: D: 4.6cm WT: 54g
Starting price: 1250000 QAR

 
 
Lot 4035 Grand View Treasure Back Pattern
Specification: D: 11cm W: 0.6cm
Starting price: 1790000 QAR
 
Collection Description: Coinage was minted in the first year of the Daguan reign of Emperor Huizong of Song Dynasty, around 1107 AD. Spend a lot of money.

 
 
Lot 4072 Xianfeng Yuanbao Dangbai
Specification: D: 4.4cm WT: 29.9g
Starting price: 1000000 QAR

 
 
Lot 4133 Xuantong Year Made Qing Dynasty Silver Coin One Yuan
Specification: D: 3.9cm WT: 27g
Starting price: 1280000 QAR
 
Collection Description: One Yuan of Qing Dynasty Silver Coin in the Third Year of Xuantong. There is no point at the back. Excellent casting, undamaged on the market, museum level collection. A large amount of silver light is pleasing to the eye. Even the most picky collectors will be fascinated by it.

 
Lot 4157 Yuan Shikai Statue Republican Commemorative One Yuan Silver Coin
Specification: D: 3.9cm WT: 27g
Starting price: 2130000 QAR
 
·Miscellaneous
 
 
Lot 5002 Mongolian Bronze Gilded Gold Zhebu Zundanbaxiang Zanabazar
Specification: H: 14.5cm W: 16cm WT: 1202.5g
Starting price: 26500000 QAR
 
Collection Description: Jebtsundamba Hutuktu, abbreviated as Jebtsundamba or Zhebtsundamba, is the largest living Buddha lineage in Tibetan Buddhism in Outer Mongolia, belonging to the Gelug sect. It was formed in the early 17th century and is known as the two major living Buddhas of Mongolia along with Zhangjia Hutuktu in Inner Mongolia. It is one of the four major living Buddhas of Tibetan Buddhism, along with the Dalai Lama, Panchen Lama Erdeni, and Zhangjia Hutuktu. The first Jebtsundambahutuktuzanabazar was both a living Buddha and a sculptor of Buddhist statues. He devoted his entire life to promoting Buddhism, especially in the field of Buddhist sculpture art, creating a unique style of Mongolian Buddhist sculpture art and opening up a new era in the history of Mongolian Buddhist art. He devoted his whole life to the religious cause of Mongolia, while also leaving behind magnificent and exquisite artistic masterpieces for future generations.
This statue is fully seated on the lotus throne. Grip your chest with both hands and hold the diamond pestle in your hand. Wearing a human crown, with a handsome face and a solemn expression. The chest muscles are plump and round, the arms are tight and powerful, the waist is soft, the figure's body proportion is precise, the shape is beautiful, the face is clear and handsome, and the temperament is elegant, with a strong legacy of Nepalese and Indian sculpture.
Most of the statue of this deity is preserved in vermilion lacquer, with some visible remnants of vermilion gold, creating a mysterious and implicit artistic effect. The technique of Zhu Jin decoration was already used in the imperial court in the early Ming Dynasty, but it was mainly made of wooden carvings. At this time, the copper Buddha was favored by the court to display a magnificent visual effect, and the "gilding" technique was preferred. After the mid Ming Dynasty, the court used lacquer art techniques to showcase the craftsmanship of "Zhu Jin" on copper bodies. By the end of the Ming Dynasty, there was a trend to replace "gilding", and the development of copper Buddha craftsmanship also underwent changes. The "Zhu Jin Copper Buddha", which had a magnificent decorative meaning, was in line with the royal taste of the mid to late Ming Dynasty. The golden bronze Buddha statue is painted with vermilion paint and adorned with Anjin, revealing delicate, high-quality, rich and elegant intricate decorative changes, achieving an artistic beauty that ordinary gilding cannot achieve. This early Qing Dynasty Zanabazar style artistic statue adopts the royal Zhu Jin technique commonly used in the Ming Dynasty, which is mysterious, subtle, and beautiful.
 
 
Lot 5025 Ganqing Palace Imperial Zang Chen Wuyuan Purple Clay Pot
Specification: H: 10.5cm W: 16.5cm
Starting price: 13000000 QAR
 
 
Lot 5044 Finance Bar Gold Ingot
Specification: WT: 176.5g
Starting price: 1990000 QAR

 
 
Lot 5094 Qing Dynasty Enamel Duck shaped Zun (Pair)
Specification: L: 25.5cm W: 12.8cm H: 31cm × two
Starting price: 1240000 QAR
 
 
Lot 5097 Bronze Gilded Shakyamuni Statue
Specification: H: 27cm W: 17.5cm
Starting price: 1830000 QAR

 
 
Lot 5151, Emperor Huizong of the Northern Song Dynasty, made the qin with the inscription "Songshi Jian Yi" from Emperor Qianlong of the Qing Dynasty
Specification: L: 122cm W: 19cm
Starting price: 41000000 QAR
 
Collection Description: The "Songshi Jian Yi" qin was produced by the "Official Qin Bureau" in Tokyo (now Kaifeng) in the second year of the Xuanhe period of the Northern Song Dynasty (1120), and is known as a "treasure of the heavenly realm". The instrument is made in strict accordance with the ancient instrument system, with wutong on the upper plate and catalpa on the lower plate. A large paint mixed with deer antler powder, cinnabar, gold, and silver particles. This qin has a very long body, with a concave crescent shape on the neck and waist, and a protruding crescent shape at the intersection. The pond and swamp are all rectangular. WeChat: HBSB1826

 
 
Lot 5220 Liaoning Peony Double Beast Pattern Silver Plate
Specification: T: 1.5cm D: 16cm
Starting price: 2100000 QAR

 
 
Lot 5248, Ming Shou Shan Tian Huang Zhi Bao, Hongwu Year, Internal Affairs Office made a seal
Specification: WT: 2566g H: 11.5cm W: 11.5cm
Starting price: 19000000 QAR
 
Habsburg's 2024 London Classical Art Boutique Auction is highly anticipated, and Habsburg is honored to provide commissioned auction services for collectors. Solicitation email: HBSB1826@hotmail.com


 
Auction Theme: Habsburg 2024 London Classical Art Boutique Auction
 
Auction date: April 20, 2024
 
Collection deadline: March 15, 2024
 
Auction address: St. Pancras Hotel, Pullman, London, UK
 
Auction Company: Habsburg International Auction Co., Ltd