Qingdao Guang, with a red alum and five bat patterns on the inside, and a yellow earth and ocean colored flower pattern on the outside, is a large bowl

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Qingdao Guang, with a red alum and five bat patterns on the inside, and a yellow earth and ocean colored flower pattern on the outside, is a large bowl

Auction Information

Product:Qingdao Guang, with a red alum and five bat patterns on the inside, and a yellow earth and ocean colored flower pattern on the outside, is a large bowl

NO:1063

Starting Price:QAR: 4,250,000

Transaction Price:Uncompleted

Specification:D:18.4cm

Auction Time:23-Dec-Sat

Auction Company:Habsburg International Auction Co.. Ltd

Description

The relationship between "foreign color" and powder color and enamel color has always been a distinctive hot topic in the ceramic industry. Currently, the general view in academia is that "foreign color" should be closer to powder color. However, the name "powder color" only appeared in Chen Liu's "Tao Ya" and Xu Zhiheng's "Yin Liu Zhai Shuo Ci" in the late Qing Dynasty and early Republic of China. The term "powder color" has never been seen in the archives of the Qing Palace Construction Office, and it is named after "foreign color". Regarding the origin of foreign colors, Tang Ying's "Tao Cheng Ji Shi Bei" records: "Foreign colored vessels, new imitations of Western enamel painting methods, are all exquisite and captivating in landscape, figures, flowers, and feathers." The article clearly points out that foreign colors are porcelain varieties created and fired by imitating enamel painting objects, and currently seen in the archives of the Qing Dynasty or on the packaging of objects, known as "foreign colors", the quality of the colored materials used is significantly higher than that of common pink colored vessels. ", Therefore, for the use of Western painting techniques on pastels, including this bowl, it is still advisable to name them "Yangcai". This product has a large bowl shape, smooth curves, moderate body thickness, and an elegant and dignified design. The inner wall of the bowl is coated with nourishing white glaze, and the inner center is rendered with alum red material to depict five bats with different postures and flapping wings. The "Five Bats", also known as the "Five Blessings", are derived from the "Hongfan" in the Book of Documents. They refer to five auspicious things in life: longevity, wealth, health and tranquility, moral cultivation, and the examination of one's destiny. The red painted "Five Bats" also symbolize the meaning of "Hongfu Qitian". The outer wall of the bowl is decorated with six tangled branches of flowers, including morning glory and okra, which grow and bloom in various colors. The branches between the flowers are also adorned with flower buds and small flowers to be placed, and the blank areas are filled with fresh yellow glaze. The composition of the entire decorative pattern is diverse and full, and the beauty of airtightness rushes to the face. When you gently stroke the wall of the bowl with your hand, where your fingertips touch, you can also see a clear sense of concavity and convexity. The thickness of the color material is evident. The outer bottom of the bowl is coated with white glaze, and the bottom center is inscribed with a blue and white seal script with the words "Da Qing Dao Guang Nian Zhi" in six characters and three lines. This type of bowl is a Western colored artifact created and burned in the early years of the Qianlong reign. The archives of the Manufacturing Office in the second year of the Qianlong reign record: "The Western colored yellow ground flower palace bowl has a very good design... and the small round box is also fired accordingly." The term "Western colored flower palace bowl" in the text refers to this type of bowl, and its flower curves and layout are completely different from traditional Chinese painting style, clearly reflecting the influence of Baroque decorative style. From the current situation of handed down porcelain, it can be seen that works of this kind, which were praised by Emperor Gaozong as having "excellent designs", have become traditional varieties of Jingdezhen Imperial Kiln Factory since the early years of Qianlong, and have been fired until the Guangxu Dynasty. They are of a noble grade in the Qing Dynasty official kiln porcelain. They can be divided into two categories according to size, with the small ones having a diameter of nearly 15 centimeters, four flowers painted on the outer wall, and the large ones having a size of over 18 centimeters, with six flowers painted, The number of larger ones is even smaller. This bowl is a work of the Daoguang dynasty, and according to its size, it belongs to the larger category. Its precision is comparable to that of the previous dynasty, which is very rare.