拍卖信息

藏品描述

琴額題：梓文陵炎(連珠式舊藏古琴) 斫琴人：雷迅斫 年代：唐 龍池內刻 (右)：雷迅斫 龍池外側左右刻：(右)：伊溪橋駕，文梓違其材，木之恥 (左)：為琴中宮征，曆百祀配君子 (下)“沈氏栗仲”方印 琴面版：彩繪及鑲貝殼 琴面版/側面/底版：通體漆面發有斷紋，邊牆側斷紋完美，連接琴面和琴底斷紋，一目了然 龍池下方刻篆書金印：話山草堂方印 藏者介紹：雷在勵（1925-2013）為雷氏後代，太祖父雷人龍曾駐美外交官，此琴為祖傳傳承有序至今。現藏家雷聲 （雷在勵之長子），雷氏藏琴頗豐，唐宋古制珍藏有數床之多，曾太祖（雷人龍）嗜琴如珍寶，自幼習琴、賞琴、藏琴，並善於以琴養生。 此琴腹內刻署：雷迅斫 ，《唐五代筆記小說大觀》是關於蜀地大量造琴的最早記載。到了唐代，蜀地出了一個以斫琴著名的雷氏家族，自盛唐至中唐，一百多年間數代人中出了九位制琴高手（雷迅為其一），所制琴稱為 “雷琴”，是琴中極品，當時即受琴人看重。 Title of the Qin: "Zi Wen Ling Yan" (Bead-string Style Vintage Guqin) Craftsman: Lei Xun Era: Tang Dynasty Right Side of the Dragon Pool Sculpture: Crafted by Lei Xun Left and Right of Dragon Pool Sculpture: (Right): "Crossing the Yi River bridge and using inappropriate Paulownia wood to be considered a way of disgrace to the wood." (Left): The central note of Quin is sought through a hundred rituals. (Beneath) of the square seal of "Shen Shi Li Zhong." Soundboard: Painted and inlaid with seashells The soundboard, sides, and back board are lacquered with distinct grain lines. The connection between the soundboard and the bottom board is clear. Gold seal script engraved below the dragon pool: "Hua Shan Grass Hall" square seal. Collector's Introduction: Lei Zailei (1925-2013) was a descendant of the Lei family, and his great-grandfather, Lei Renlong, served as a diplomat in the United States. The legacy of this Qin has been preserved in an orderly manner and passed down through the generations. Lei Sheng, the current owner and the eldest son of Lei Zailei, has an extensive collection of Qins. The family treasures the ancient Qins from the Tang and Song Dynasties. Lei Renlong, his great-grandfather, cherished Qins as if they were treasures, learning, appreciating, collecting, and believing in the healing power of the Qin from a young age. Inscribed inside of Qin's soundboard: Crafted by Lei Xun. "Compendium of Tang and Five Dynasties Literary and Historical Record" is the earliest record about the mass production of Qins in Shu (Sichuan). In the Tang Dynasty, the Lei family, famous for making Qins, emerged in Shu. Over a century, from the prosperous of the Tang Dynasty to the middle of the Tang Dynasty, there emerged nine master craftsmen in the art of making qin (Lei Xun being one of them). The Qins they crafted were known as "Lei Qin," highly esteemed by Qin players.