Auction Information

Description

This work is a rare tower shaped three-dimensional mandala that showcases the reverence for the Buddha Mother, presenting a complete Buddha Mother mandala in a three-dimensional and all-round manner. This statue has a complex structural design, with a waistband style lower wide and upper narrow pedestal. The base is an inverted trapezoid, and the upper and lower eaves are all cast with dense lotus pattern reliefs. The terrace is supported by prominent warriors in front, back, left, and right of the base, and the edge of the terrace is carved with continuous bead patterns. There is a pagoda at the top of the mandala, and inside the niche is the Dharma Protector of the Buddha's supreme ritual. The Buddha's mother sits in a posture of Vajra limping in the middle, with eight arms on three sides, which is a common image of her. She wears a five leaf crown on all three sides, and the crown and leaves are exquisitely carved. The top of the crown is tied in a high bun, with Mani beads on top. The bun is dyed sweet blue, and the remaining hair hangs on both sides of her body. On the face, each person has three eyes, which are dignified and round, with delicate and delicate facial features. The forehead is high and wide, the nose is long and straight, and there is a slight smile on the corner of the mouth. The expression is compassionate and kind, and the earrings are big and bell shaped. It is solemn and unique, with a peaceful and peaceful expression. The positions and gestures of the eight arms vary, with the first person on the right holding a four color cross Vajra Karma pestle, indicating the achievements of the demon slaying and disaster reduction career. On the second-hand Torian throne, Amitabha Buddha (also known as the Great Sun Tathagata) is his master, expressing his love. Three arrows in hand represent the compassion that summons sentient beings. The four handed wish imprint is placed in front of the right leg, indicating the fulfillment of the wishes of all sentient beings. The first angry fist imprint on the left hand holds a silk cord, representing the surrender of all difficult to subdue sentient beings. The second-hand upward movement is used as a symbol of fearlessness, representing the avoidance of all fears among sentient beings. The three wielding bows represent victory over the three realms. The four handed seal is placed on the bottle of sweet dew, indicating that it enables all beings to live a long life without illness. Rich in dynamism, elegant and realistic posture. In addition, there are supporting heavenly maidens dancing gracefully on the pavilions of the palace. The proportion of the Buddha's mother's body structure is perfect, with accessories including ear bracelets, necklaces, baby bracelets, bracelets, belts, etc. The craftsmanship is exquisite and gorgeous, wearing a thin skirt that fits gently to the body, with the skirt edge spread out on the seat. Pei silk wraps around the arm from the shoulder and hangs over the lotus seat, showcasing its beauty. The circular lotus seat is dignified and magnificent, with folded lotus petals arranged in an orderly manner, symmetrically distributed up and down. The waist is clearly tied, and it has a balanced and atmospheric beauty. The upper edge of the lotus petals has fine engraved lines indicating the flower stem, with exquisite and delicate design. The edge of the seat is decorated with a full circle of bead patterns, and the lower edge has multiple steps to enhance the base, highlighting the noble status of the statue. On the edge of the front of the lotus platform, there is a few engraved inscriptions of "Da Ming Yongle Nian Shi", with clear inscriptions, steady strokes, and a dignified and elegant style.