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This work is painted on the special rib paper of the Great Wind Hall. Daqian to“Gentleman of the wind, its clear mu such as” Yu Lotus, praised its noble, life innumerable chant lotus. Daqian painted lotus early learning eight big. The Shitao shallow Jiang method had a deep influence on him, he once said: “Qingxiang flowers and vegetables are especially meaningful, not falling white sun, Ivy Nest...”. ... first apply ink, after Cage shallow Jiang, cover also landscape law also Fu Shen in the“Daqian and Shi Tao,” an article, more specifically pointed out: “Daqian's Mohe ...... Actually, it's a combination of eight large lotus leaves and Shitao's Lotus. From the eight great gas, from Shitao rhyme, so can be their own. I don't know the secret, but I can only see the appearance of the Lotus.” The composition of the picture is magnificent, with the lotus leaves echoing each other, and the contrast is harmonious. The Lotus leaves with large, ink-colored faces intersect with the slender lotus stems, and they are set off by the small, pointed lotus, as opposed to the large, blooming lotus flowers, which rise and fall one after another. Zhang Daqian's delicate brush strokes on a few cattails bring the scene to life. White petals with heavy ink hook tip, so that the lotus is very vivid awakening. He began to re-examine the tradition and the modern, the eastern and western art traditions once again into a furnace, skillfully sprinkled in the ink and color world, constantly self-transcendence.