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藏品描述

这件《风雨不动安如山》来看，散锋技法可以说是为傅氏“风雨”量身打造的特定技法。首先散锋的用笔速度更快，节奏更加自由。在《风雨不动安如山》中，我们能清楚的感知到傅抱石用笔的速度感和高度的自由洒脱，带来的效果是让风雨的质感实质化，于是你能清晰的看到倾盆而下的大雨，能看到被风雨压弯的树冠，这种体量化的表达、有音有感的实质氛围，与舟中安稳不动的高士形成强烈对比。这一时刻作为读者，我们能够瞬间领悟画面中所传达出的超然感和“静”的格调。这种外在而不隐晦的表达与古人的“含蓄”截然不同，是“散锋”为傅抱石带来的突破之一。This“Wind and rain do not move mountains” to see, sanfeng techniques can be said to be for FU's“Wind and rain” tailor-made specific techniques. First of all, the speed of the pen is faster, the rhythm is more free. In calm as a mountain, we can clearly feel the speed of Fu Baoshi's pen and a high degree of freedom, the effect is to make the texture of the wind and rain materialized, so you can clearly see the pouring rain, can see the wind and rain bending the crown, this quantitative expression, the sound of the real atmosphere, and the boat is a strong contrast to the motionless gaos. This moment as readers, we can instantly understand the picture conveyed a sense of detachment and“Quiet” style. This kind of external but not obscure expression and ancient people's “Implicit” is completely different, is “Sanfeng” for Fu Baoshi's breakthrough.